نوع مقاله : مقاله پژوهشی
نویسندگان
1 استادیار گروه نقاشی ، دانشکده هنر ، هیات علمی دانشگاه الزهرا س، تهران ، ایران
2 دانشجوی دکتری پژوهش هنر، دانشکدۀ هنر، دانشگاه الزهرا (س)، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
In cognitive anthropology, the theory of visual attention (TVA) of Bundesen (1948); It is a model of the parallel processing speed of the human mind that defines visual attention as integrating the processes of attention selection and visual recognition. This theory, which is related to anthropological concepts, has also influenced the art of iconography. One of the applications of this theory is in the analysis of portrait images in paintings, which determines the level of visual attention of the audience to the human depicted in the painting. In the meantime, one of the most well-known iconography collections is located in the collection of lacquered pencil cases belonging to the Qajar period in Malek National Museum, which reflects humanist cognitive concepts. The pictorial character of Qajar period lacquerware can be considered as a source for studying Bundesen's theory of visual attention (TVA). The subjects of these illustrated notebooks in five categories; 1. Role of scenes from nature (landscape), 2. Illustrated notebooks in the role of the elders of literature and mysticism, 3. Illustrated pencil cases with non-Iranian motifs and themes, 4. Illustrated pencil cases with goat, martial and hunting motifs and 5. Illustrated pencil cases are divided by face painting motifs.
Purposes: Therefore, the objectives of this article are: to study the reflection of humanistic cognitive concepts between the face and body parts performing an action in complex social scenes with different levels of social interaction and individual vs. social factors depicted in the pictorial scenes of Laki Qajar's pens. In Malik National Museum and also, the analysis of the cognitive concepts of iconography aims to investigate the human personality of these figures.
Questions: The questions that are raised in this article are in the order that the human motifs illustrated on the Qajar era lacquerware are drawn at what different levels of social interaction and individual factors? What humanistic concepts do the iconography motifs of these pens often have, and how is the visual attention to these characters explained in the context of social and individual scenes?
Methodology: This article deals with the identification and study of illustrated iconography on the Qajar period lacquered pencils with the descriptive-analytical method and collecting information in a library manner according to the approach of humanistic cognitive concepts based on Bundesen's theory of visual attention.
Findings: In the analysis of the human figures of Qajar Period Laki Qalamdan, one should pay attention to humanistic cognitive concepts such as their personality. In addition, the study of the iconography of the Qajar period lacquerware shows that the drawn human motifs follow almost similar aesthetic patterns and are influenced by the arrival of European artistic ideas. As in the portrait design, an incomplete imitation of realism can be seen in the designs.
Conclusions: The results of the research show that based on Bundesen's theory of visual attention (TVA) and the analysis of motifs using color scan patterns, human personality is considered as an important factor in attracting visual attention in the iconography of the Qajar period lacquered wallets, and it depends on the type of activity and personality of the figure. Humans are related in social and individual scenes in the form of portraits.
کلیدواژهها [English]
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